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Author Info:

Type: Photographer
Nationality: American
Date of Birth: 10/01/1949




 

Annie Leibovitz Quotes

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I wish that all of nature's magnificence, the emotion of the land, the living energy of place could be photographed.
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I still need the camera because it is the only reason anyone is talking to me.
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When I say I want to photograph someone, what it really means is that I'd like to know them. Anyone I know I photograph.
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I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.
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You don't have to sort of enhance reality. There is nothing stranger than truth.
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I didn't want to let women down. One of the stereotypes I see breaking is the idea of aging and older women not being beautiful.
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When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.
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Everyone keeps asking you for pictures, and after a while you get tired of that. I always say, They are in the archives.
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A very subtle difference can make the picture or not.
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The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!
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When you go to take someone's picture, the first thing they say is, what you want me to do? Everyone is very awkward.
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I am impressed with what happens when someone stays in the same place and you took the same picture over and over and it would be different, every single frame.
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There must be a reason why photographers are not very good at verbal communication. I think we get lazy.
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When you are on assignment, film is the least expensive thing in a very practical sense. Your time, the person's time, turns out to be the most valuable thing.
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When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't.
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Coming tight was boring to me, just the face... it didn't have enough information.
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At my Rolling Stones' tour, the camera was a protection. I used it in a Zen way.
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No one ever thought Clint Eastwood was funny, but he was.
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My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.
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If it makes you cry, it goes in the show.
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There are still so many places on our planet that remain unexplored. I'd love to one day peel back the mystery and understand them.
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It's hard to watch something go on and be talking at the same time.
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It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in the '70s they were heavy metal.
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A thing that you see in my pictures is that I was not afraid to fall in love with these people.
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Nature is so powerful, so strong. Capturing its essence is not easy - your work becomes a dance with light and the weather. It takes you to a place within yourself.
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