I think for being not unsympathetic that their appearance may also appear, so differently it, must; similarly as with animals, which meet us in very different forms, which look somehow harmonious however all. On exactly such forms I would stand.
I finally realized that yeah I did want to be an actor and it wasn't out of habit, but I needed to grow up for myself and then kind of re-enter the industry with a sound understanding of what my sensibilities and my values are as a relatively formed human being.
Now, the external work of man is of the most varied kind as regards the force or ease, the form and rapidity, of the motions used on it, and the kind of work produced.
Straight-away the ideas flow in upon me, directly from God, and not only do I see distinct themes in my mind's eye, but they are clothed in the right forms, harmonies, and orchestration.
Designs in connection with postage stamps and coinage may be described, I think, as the silent ambassadors on national taste.
I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.
When you start with a portrait and search for a pure form, a clear volume, through successive eliminations, you arrive inevitably at the egg. Likewise, starting with the egg and following the same process in reverse, one finishes with the portrait.
The level of detail and craft is something that's inscribed within the original design concept. And so when I begin to draw, I know what kind of detailing I want the building to have.
The belief that there are other life forms in the universe is a matter of faith. There is not a single shred of evidence for any other life forms, and in forty years of searching, none has been discovered. There is absolutely no evidentiary reason to maintain this belief.
Much later, designers like Dior and Saint Laurent recreated styles form the '30s and '40s.
Reduce your plan to writing. The moment you complete this, you will have definitely given concrete form to the intangible desire.
I wasn't very funny or flashy, I was kind of boring.
How I would describe my characters is absolutely different from how I would describe myself.
I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.
We spend our time searching for security and hate it when we get it.
The impressions of the spriritual experiences gave my future life its form and content.
But if I have a lot of imagination, I could tell myself whatever I wanted, you know. I handle myself quite well. I'm kind of fascist with myself, you know. There's no discussion. There is an order. You follow it.
I mean simply to say that I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.
Some years ago, I wrote a book called the Emperor's New Mind and that book was describing a point of view I had about consciousness and why it was not something that comes about from complicated calculations.
Going out hanging out with the troops, and you know it's kind of all summed up in the TV show, I don't what else I can say about it. It's a great thing to do, something I'm definitely proud of.
In argument similes are like songs in love; they describe much, but prove nothing.
The republican is the only form of government which is not eternally at open or secret war with the rights of mankind.
My religion is very simple. My religion is kindness.
The vine bears three kinds of grapes: the first of pleasure, the second of intoxication, the third of disgust.
The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature.