For profane experience, space is homogenous and neutral; no break qualitatively differentiates the various parts of its mass.
Every sacred space implies a hierophany, an irruption of the sacred that results in detaching a territory from the surrounding cosmic milieu and making it qualitatively different.
The man of traditional societies could only live in a space opening outward, where the break in plane was symbolically assured and hence communication with the "other world", the transcendental world, was ritually possible.
I would vote for the man who's lived life, who's done different occupations, who's been out in the real world and struggled to make a living, struggled to raise a family, struggled with life as it exists. So I'd vote for experience, honest experience.
When I design buildings, I think of the overall composition, much as the parts of a body would fit together. On top of that, I think about how people will approach the building and experience that space.
When the sacred manifests itself in any hierophany, there is not only a break in the homogeneity of space; there is also revelation of an absolute reality, oposed to the nonreality of the vast surrounding expanse.
Why should we be in such desperate haste to succeed, and in such desperate enterprises? If a man does not keep pace with his companions, perhaps it is because he hears a different drummer.
If a man or woman is born ten years sooner or later, their whole aspect and performance shall be different.
Luckily, I was raised by people who'd already seen all the yuck stuff, which is why they originally didn't want me to act. I understood the difference between getting a part at a Hollywood party and getting a job.
A big part of what I wanted to do with this character was go from when I was a boy and try and develop into a man, really try and play him as a man who is on this search, on a journey of personal, spiritual, political, social discovery.
The plain man is familiar with blindness and deafness, and knows from his everyday experience that the look of things is influenced by his senses; but it never occurs to him to regard the whole world as the creation of his senses.
But now science, spurred on by its powerful delusion, hurtles inexorably towards its limits where the optimism hidden in the essence of logic founders. For the periphery of the circle of science has an infinite number of points and while there is no telling yet how the circle could ever be fully surveyed,the noble and gifted man, before he has reached the middle of his life, still inevitably encounters such peripheral limit points andfinds himself staring into an impenetrable darkness. If he at that moment sees to his horror how in these limits logic coils arounditself and finally bites its own tail - then the new form of knowledge breaks through, tragic knowledge, which in order to be tolerated,needs art as a protection and remedy.
The Experience of Sacred Space makes possible the "founding of the world": where the sacred Manifests itself in space, the real unveils itself, the world comes into existence.
The ritual by which man constructs a sacred space is efficacious in the measure in which it reproduces the work of the gods.
I also have a film coming up called Breaking Up, and my part in that was not written for a Latina, and my character is not particularly pretty or sexy or exotic.
My friends, whoever has had experience of evils knows how whenever a flood of ills comes upon mortals, a man fears everything; but whenever a divine force cheers on our voyage, then we believe that the same fate will always blow fair.
If you look at the buildings, you'll find that one part looks as if it was designed by one man, and you go around and look at another facade and it looks as if it was designed by another man, you see.
Man becomes aware of the sacred because it manifests itself, shows itself, as something wholly different from the profane.
The religious man sought to live as near as possible to the "Center of the World".
I've always looked for parts that were different from her, parts that would be very challenging, and this was a very challenging role to play.
When Man evolved Pity, he did a queer thing - deprived himself of the power of living life as it is without wishing it to become something different.
For Debussy the musician and the man I have had profound admiration, but by nature I'm different from him. I think I have always personally followed a direction opposed to that of the symbolism of Debussy.
Let us with caution indulge the supposition that morality can be maintained without religion. Reason and experience both forbid us to expect that national morality can prevail in exclusion of religious principle.
When a man's stomach is full it makes no difference whether he is rich or poor.
For those to whom a stone reveals itself as sacred, its immediate reality is transmuted into supernatural reality. In other words, for those who have a religious experience all nature is capable of revealing itself as cosmic sacrality.