On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film.
I think that adult Polish audiences, while observing what was happening in Poland, started to give in to a particular kind of anxiety.
Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do.
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
The audience will have to focus on the visuals... But they had silent films before talkies arrived, and people went to see them.
With it adult political audiences abandoned cinemas. In their place appeared a void. That previous political audience migrated to the seats in front of their TV.
Cinemas gained new young audiences who wanted films made for them.
The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage.
You make a lot of films, do you? You make a lot of films yourself? Yeah, I'd like to see you make a film first before you get to talk about it. What a jerk.
If only every man who sees my films did not get the impression he can make love to me, I would be a lot happier.
I think ultimately if you have a very high expectation of your audience and you know exactly what it is you're trying to express through the medium of film, there will always be an audience for you.
The truth is, I'd never seen a Cary Grant film. Since then I have watched his stuff and it's astounding, but I don't see any similarity between us. Except for the fact that I'm told he used to wear ladies' underwear, which is something I also do.
The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.
To grasp the full significance of life is the actor's duty, to interpret it is his problem, and to express it his dedication.
I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
The adrenaline of a live performance is unlike anything in film or theater. I can see why it's so addictive.
I have stepped off the relationship scene to come to terms with myself. I have spent most of my adult life being 'someone's girlfriend', and now I am happy being single.
Yes, for a long time but I admired her and respected everything that I could sort of see in her from a distance, the pillars of her life, the loyalties, the relationships. It all got my interest and also the looks.
The difficulty with the present state of affairs is that there is no legislation on the sources of funding for the Polish film industry. There is no legislation concerning filmmaking. And, there is no legislation on television that would be beneficial to filmmaking.
Since coming to Harwell I have met English people of all kinds, and I have come to see in many of them a deep rooted firmness which enables them to lead a decent way of life.
Try to realize it's all within yourself no one else can make you change, and to see you're only very small and life flows on within you and without you.
Movies are a fad. Audiences really want to see live actors on a stage.
I prefer to commit 100 per cent to a movie and make fewer films, because it takes over your life.
I think school is so much harder than real life. People are so much more accepting when they are adults.
Cinema can speak to people's consciences. I don't think I've wasted this life because I've contributed something to the course of political events.