Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
If it looks good, you'll see it. If it sounds good, you'll hear it. If it's marketed right, you'll buy it. But... if it's real, you'll feel it.
Whenever I hear anyone arguing for slavery, I feel a strong impulse to see it tried on him personally.
There is nothing is more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little - the book of Nature.
It is not sufficient to see and to know the beauty of a work. We must feel and be affected by it.
Painting is a blind man's profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.
Hide nothing, for time, which sees all and hears all, exposes all.
We shall find peace. We shall hear angels, we shall see the sky sparkling with diamonds.
The last thing I want is to walk into my house after a long day and see all the Grammys and awards. It would make me feel weird.
Few are those who see with their own eyes and feel with their own hearts.
Whenever we hear an opinion and believe it, we make an agreement, and it becomes part of our belief system.
True enthusiasm is a fine feeling whose flash I admire where-ever I see it.
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
Think you of the fact that a deaf person cannot hear. Then, what deafness may we not all possess? What senses do we lack that we cannot see and cannot hear another world all around us?
Sometimes when you play a character, you can feel it in your body. And I felt like I had characteristics of my dog: the way Webster moves, the way he holds his head. I kind of adapted it into this part unconsciously.
I look at other filmmakers and see skills in them that I wish I had but I know that I don't. I feel like I have to work really hard to keep myself afloat, doing what I do. But I find it pleasurable.
So I did that for a long time in my career, and I waited for parts to play myself just physically down a little bit. But I do feel like I'm at a place in my career now where I don't necessarily fret about that too much anymore.
You can see my decision as either a distinctive factor or as a limitation. I don't feel it is a limitation.
The phenomenon develops calmly, but it is invisible, unstoppable. One feels, one sees it born and grow steadily; and it is not in one's power to either hasten or slow it down.
When I hear music, I fear no danger. I am invulnerable. I see no foe. I am related to the earliest times, and to the latest.
The whole commerce between master and slave is a perpetual exercise of the most boisterous passions, the most unremitting despotism on the one part, and degrading submissions on the other. Our children see this, and learn to imitate it.
A beautiful thing never gives so much pain as does failing to hear and see it.
What makes these creatures so awful is the feeling that they can use us in ways too horrible to imagine-and yet, we DO imagine them, which makes it worse than seeing it.
Believe that with your feelings and your work you are taking part in the greatest; the more strongly you cultivate this belief, the more will reality and the world go forth from it.
I look at myself, and I see a Spanish person who's trying to be understood by an English-speaking audience and is putting a lot of energy into that, instead of into expressing himself freely and feeling comfortable.